the second eyelids because ilifingrish is coal too


26
Jan/09
15

Nijuu-Mensou no FFFFFFFFF

I was forced to watch yet another episode of the story of Hirano Aya still not being able to voiceact properly in an anime about a boring girl. Episode 21 felt like an ending to the show, FINALLY, yet there's an episode 22. I don't even... this show has again and again frustrated me with how it was damned cool with a really cool concept from the first few, is it five episodes? And then they just killed the cool crew Chiko hang out with. And the whole concept of a gang of thieves doing ridiculous thefts like in say - Ocean's Eleven - just vanished, and Chiko met up with all kinds of fucked up characters and especially that goddamned annoying maid and COITUS SHUNKA. Akechi was cool though. But I hated that fake detective with my every being and you were supposed to feel for this guy and sister complex.

And then it just went down the drain, really. Characters modifying their bodies, a mecha woman lusting for OJISAN, some other weirdo that looked just like the mecha woman lusting for OJISAN and those fucking kids and then the doc has molded himself into OJISAN? Topple all that with that song Hirano Aya so wonderfully fails at singing and then they're making Ion Cannns and I don't know anymore. I can't wait for episode 22 so I can finally say I managed to watch through this show and that I can rate it so low that I will forget it existed and announce how it managed to be worse than Evangelion. And from my point of few, that is a seriously major feat - and Evangelion doesn't even have Hirano Aya!

5
Jan/09
36

I still don’t like Hirano Aya

My housemate saw Yes Man this weekend, and confronted me on my thoughts on the acting history and hilariousness of Jim Carey. I presented my point of view where I laugh well at his roles where he is allowed to do his batshit thing where he just goes all the way out with his faces and weird remarks and whatnot, especially in cases like Ace Ventura and The Mask. However in cases like Eternal Sunshine of the Spotless Mind, what were they thinking? Putting a leash on Jim Carey isn't how you do it, you rather take a different actor. By returning him to his glory in the Yes Man, my housemate was as happy for this as I would have been if I got to see Hirano Aya do her thing again.

So I think this is the case with my misgivings with Hirano Aya too. I'm so pleased with her roles as Haruhi and Konata, that hearing her earlier roles and more recent roles just seems so wrong. I can understand the seiyuu market in Japan where you have to take <some role> every season to make a living, yet while being a seiyuu doesn't really pay your bills - and at the same time I can see that there aren't enough explosive types of characters out there to use her on - she's getting roles she's not really fit for. I'm not really one to say here, but I don't think she's really liking these roles, is she? With her success using her explosive voice she can't be all to pleased with getting shit roles like Minato in Akasaka, Ayumi in Hyakko or goddamned Polka in Eternal Sonata. Can't you just let her do her side-jobs instead, Japan? Please don't ruin more characters by not letting Hirano Aya do her thing. Other seiyuus can do better, and riding on her popularity will just last you that long.

3
Oct/08
3

Musings on the voice work of Aya Hirano

There is much hate on Aya Hirano for getting one of the most hyped roles in a show this season, in Akane-iro ni Somaru saka. And I remember there being hate on her for being Chiko in Nijuu-mensou no Musume and tons of people bashing her early role as Mamoru in Eyeshield 21. So which roles is her voicing abilities accepted in, why is there such a fanbase for her? There must be something that drives this fury in fanboys to like her.

I dug around in various communities to see comments and musings from roles she has been doing, and all the positive reflections seems to be well rounded on a couple stereotype roles; wacky characters who do weird stuff (Konata, Haruhi, Sanae, Saru no Momo) or characters who have some kind of mental problem they're trying to cope with by presenting a cheerful front (Reira, Misa, Mahiro). What are the similar traits of all these characters, even while a different setereotype? Goofy, cheerful indifference and somehow carefree attitudes. And almost never a serious tone without it being for the sake of comedy.

This brings me to think that the voice qualities of Aya Hirano seem to be well accepted when she is doing her wacky roles, because of her ability to pitch the tones on single syllables like mad. She does this alot on both Konata and Haruhi, which are probably her best received roles ever. I never noticed her even existing until Haruhi, and it was then that I started watching previous stuff like Eyeshield 21 and checking Kiddy Grade again, just to hear her big-sister role and classy loli role. Not quite doing it, even though she has a taste of that wackyness on the loli since she's eleganto ni all the time.

Coming this season, she is doing Minato Nagase in Akasaka, and Ayumi Nonomura in Hyakko. The latter which is a wacky character, and probably going to be well-received as a clone of Konata in a completely different role. Her role in Linebarrels of Iron as Kujou Miu I know too little about, but if they again give her a serious character, there is going to be so much hate, oh so much hate.